Author Grady Hendrix may have accidentally written a scathing critique of 21st-century American capitalism, seen through the lens of a corporate haunted house.
The reason “Audition” marches steadily from romantic comedy territory straight into the realm of splatter-gore horror is simple: Aoyama isn’t the only one conducting an audition. Yamasaki Asami is auditioning Aoyama to be her next victim.